Monday, May 25, 2009

concert review: Winston Audio, Audrye Sessions, Fun, Manchester Orchestra @ BOTH 19 May 2009

Last Tuesday night at Bottom of the Hill was one of the greatest nights of live music I had ever had the opportunity to experience. It’s quite rare that you have a wide array of bands, and a large quantity of them at that (four) who all deliver super solid performances. I was completely deaf the next day, as I was sitting on the speaker throughout Manchester Orchestra’s set, but that only served to remind me of the incredible listening experience that I had the previous night.

I went to the show to see the very first opening band, Winston Audio, whose debut The Red Rhythm I cannot get enough of. The band blew me away on stage, and I could see people in the audience quickly catching on to why I have been gushing about this Georgia based band for months now. They encapsulate everything that is pure and good about rock n roll: they are loud, abrasive and not afraid to express their frustration by yelling and banging things. However, they took a breather with the acoustic “Nothing to Hide”, only to reassume their unabashed swagger midway through the song. My only complaint was that their six song set (which you can watch on my YOUTUBE page) was far too short, but to be expected for the very first opening band of a long night of glorious rock n roll music.
5/5

photos:


Next on was Audrye Sessions, a local band from Oakland that I quite like. I had seen them before, headlining GAMH, and while I enjoyed their set, something about it was a bit off. Their lead singer Ryan seemed overly aware that they needed to keep things short and sweet, and he seemed to be not quite there for the performance. This, combined with the slightly too loud amps, caused their performance to be my least favourite of the night, but it was still a great set, including a new song called “Bone Dry”. I also posted videos of Audrye Sessions’ entire set on YOUTUBE.
3.8/5

photos:




Next on was a band called Fun, fronted by Arizona’s Nate Ruess, previously of The Format. Having heard a bit of this band’s music online, I was expecting to be disappointed, but was happily surprised otherwise. I could not think of a more appropriate band name than the one which they have chosen for themselves; their set was oozing with child-like wonder and melodies galore. The band played both their own new songs as well as a few of The Format’s, which people in the audience happily sang along to. The band’s debut album is set for a release on August 25th, keep your eye out for that and the accompanying tour dates.
4.3/5

photos:







Finally, the headlining band, Manchester Orchestra came on stage. Like their label mates Winston Audio, this band also hails from Atlanta. I had listened to both of their albums a few times through and didn’t quite understand what everybody was getting all excited about. I thought they were good but nothing out of the ordinary. Their live set more than converted me. Manchester Orchestra is one of those bands that you truly need to experience live, as their music is quite the religious experience (and no, that wasn’t intended as an allusion to their slightly Christian lyrics). My favourite part of their performance was watching their drummer go wild on his set for the entire night, he left me flabbergasted and super impressed. Actually, I mean one of their drummers, as the band cannot limit their percussion to one guy. This, of course, causes their live shows to be explosive and captivativg. Modern rock music doesn’t have as much soul as it did before, but bands like Manchester Orchestra hold down the fort and keep things worthwhile. Highly recommended.
4.5/5

set list:


photos:







The Strokes Post #95

"I'm not full of shit. If we don't get better, I don't want to do this any more. I don't want to just hit some kind of fame. I just want to do something good. That's the only way I'm going to be satisfied."
-Julian Casablancas

concert review: Ben Folds @ Fox Theatre 17 May 2009

Last Sunday night, Ben Folds played Oakland’s Fox Theatre armed with impeccable piano skills and a grin that would melt any icy disposition on earth. Playing an impressive 26 songs plus 2 in the encore, Ben drew mostly from his three solo records, with some Ben Folds Five songs interspersed throughout the set.

Ben Folds was by far, the happiest looking musician that I have ever beheld on stage, and keep in mind that I’ve seen Jason Mraz in concert. He consistently engaged with the audience, asking them to harmonize and sing along, and even changed up his set a bit to accommodate a request someone shouted out. He began his set with the high energy “Effington” from his latest album Way to Normal, and didn’t falter at all for his nearly two hour set.

By far the coolest part of the night was when he showed the audience a cool, synth-type effect which you can produce from a piano with a few altoids tins. The audience was more than compensated for the atrocious opening female solo act, whose name I can’t even remember. Great night, lots of energy, highly recommended!

4.3/5

set list:

photos:








for more photos head on over to Peter Rosenblum's flickr page

Saturday, May 23, 2009

Arctic Monkeys photo shoot in NYC


NME has the goods.
the band, of course, is recording their much anticipated third album in the big apple.

Alex Turner is such a pretty boy. *le sigh*



Arctic Monkeys - Fake Tales of San Francisco (Black Session 2/20/06) [mp3]

The Strokes Post #93

I feel like I owe you guys an explanation for the lack of regularity in my postings. A couple of things have kept me from posting often. First off, I was absolutely swamped with school, work and trying to see everyone before I left Berkeley.

Secondly, about a month ago, my computer broke, and I didn't get it back until yesterday. Thankfully, my entire music collection was unscathed (I had most of it backed up, minus most of my bootlegs and covers though). I'd been posting covers, mp3s and other things from cds I had, and stuff off of my mp3 player. To post, I was using my work computer and ones at labs or libraries.

Anyhow, I am going to be lazing around for the next year, as I refuse to do anything productive (this will probably only last for a couple of weeks before my brain gets so bored that it demands that I teach myself another language). I'll be posting a lot, probably mostly album reviews. I just wanted to say thanks for sticking around and reading, I appreciate the continued support from you guys.

as for my Strokes post, I wanted to post a couple of songs from First Impressions of Earth, and I'll explain why first.

Thursday night I went to see Kings of Leon (review is forthcoming) and I met more Strokes fans than I had ever met before in my life. It's really frustrating for me, a HUGE Strokes fan, to never have anyone to talk to about The Strokes. Anyhow, I was talking to this one girl whose favourite band was also the greatest one on earth, about our favourite Strokes songs and I mentioned that if I had to pick one absolute favourite Strokes song it would have to be Ize of the World, and she went "no way, me too!" I find it interesting that everyone calls First Impressions The Strokes' weakest record, because it obviously isn't.

It's loud, it's aggressive, and it's perfect.

Anyhow, after the show, I went to a few parties and ended up smoking at my friend's friend's frat, in a room with Interpol playing. I remarked that I loved Interpol, and then the guy got up, went to his computer, and started playing First Impressions. No joke. Just out of nowhere, it was AWESOME.

so here are two of my favourite Strokes songs ever, Ize of the World and You Only Live Once, the opener that never ceases to give me chills, especially when completely unexpected from a stranger's itunes.

The Strokes - Ize of the World [mp3]

The Strokes - You Only Live Once [mp3]

concert review: Margot & the Nuclear So and So's @GAMH 16 May 2009

Last Saturday night, Margot & the Nuclear So and So’s played Great American Music Hall. The eight piece band hail from Indianapolis and really truly go above and beyond in the orchestral pop genre. Their layered sound only increased on stage, and the band’s haunting set left me completely speechless.

From the first song (“A Children’s Crusade on Acid", one of my absolute favourites), however, I noticed that their lead singer Richard wasn’t delivering like I thought he would. He was quieter, not projecting his usually powerful voice. He soon explained that he had lost his voice for the first time in years, and apologized profusely for the state of things. Regardless, the amount of passion which he and his seven band mates delivered was awe inspiring. Richard’s relentless efforts were evident on stage, as he kept massaging his throat and tried his best to hit the difficult notes. It pained me to see him so pained, and I almost hoped that he wouldn’t come out for an encore, for his sake (he did anyways).

To my delight, the band played many songs off of their first prelabel album, The Dust of Retreat, which I had only recently purchased, but fell immediately in love with. Their strongest songs, “Quiet as a Mouse” and “Skeleton Key” come from that album, and the band played both of them. Everything considered, the concert was amazing, and Great American was, once again, the perfect accompaniment to the sonic booming emanating from such a wide array of instruments.
3.9/5

set list (click to enlarge):


Margot & the Nuclear So and So's - Quiet as a Mouse [mp3]


The two opening bands were Everything Now and Telekinesis. Everything Now had great energy, but lacked substance. Their music wasn’t interesting and the lead singer wasn’t particularly talented. However, they reminded me a lot of Delta Spirit in their impassioned delivery, which turned a handful of mediocre songs into a pretty enjoyable performance.
2.5/5

Telekinesis, on the other hand, was incredible. The Seattle band reminded me a lot of a more aggressive Jack’s Mannequin meets Death Cab song writing. Their set was flawless, led resolutely by their lead singer, who also played drums. The only parts I didn't like were the acoustic-y intros to some of their songs, which I later found that I LOVED on record. When I picked up their album, everything fell into place as I read the sticker saying “produced by Chris Walla”. I will post a proper review of their album soon, it’s really great.
4.5/5

everything now:


telekinesis:




margot & the nuclear so and so's:




Friday, May 22, 2009

Thursday, May 21, 2009

The Strokes Post #91



on my way to see Kings of fucking Leon!!

Wednesday, May 20, 2009

new Arctic Monkeys songs are sounding great

bits and pieces of their forthcoming album can be heard in this update video from the Monkeys' drummer Matt

must watch videos: The Libertines reunited on stage

fucking epic.

I love Pete Doherty and Carl Barat so so much. I'm so glad they're back in action

Dark Night of the Soul has been nixed

EMI shut down the entire thing, but Danger Mouse is still releasing the album art with a blank CD-R

according to BBC.co.uk, "Danger Mouse remains hugely proud of Dark Night of the Soul and hopes that people lucky enough to hear the music, by whatever means, are as excited by it as he is. All copies will be clearly labelled: 'For Legal Reasons, enclosed CD-R contains no music. Use it as you will.'"

many thanks to nateraabe and 2plus2isjoe for the updates

so, without further ado, here you all are:

click HERE to download the entire album

it's what Danger Mouse wants

listen to a new song from Interpol's frontman


head over to SPIN to stream a song called "Fun That We Had" by Interpol's Paul Banks (aka Julian Plenti)

it's not very good. ok, Paul, so you've jumped the electronica bandwagon, and gotten it out of your system. now get your butt back to studio and give us a new Interpol album!

Cage the Elephant on DAYTROTTER


sweet! just discovered this Kentucky-based band last week (thanks to Kiefer), they're GREAT. kind of like a Southern White Stripes

head over HERE to read the article and download the songs

here is a rockin' tune off of their eponymous debut album. it's wicked sweet, and even includes a guitar bit borrowed from Pink Floyd's "Breathe"

Cage the Elephant -Tiny Little Robots [mp3]

here is their lead single:



visit them on MYSPACE

Wednesday Morning Covers


missed SMC this week, so here they are

Gareth Pearson - Time to Pretend (instrumental MGMT cover) [mp3, HIGHLY RECOMMENDED!]

Cage the Elephant - Psycho Killer (Talking Heads cover) [mp3, HIGHLY RECOMMENDED!]
I love this. so much.

Honeyroot - Love Will Tear Us Apart (Joy Division cover) [mp3]

Noah and the Whale - Girlfriend in a Coma (The Smiths cover) [mp3]

The Dandy Warhols - The Jean Genie (David Bowie cover) [mp3]

Glasvegas - Come As You Are (Nirvana cover) [mp3]

BONUS (x2)

Rogue Wave - On a Plain (Nirvana cover) [mp3]

Franz Ferdinand - Sound and Vision (David Bowie cover) [mp3]

The Strokes Posts #87-90

I'm back!

sorry for disappearing. I graduated (with an English degree from UC Berkeley), had my last final EVER (Proust), and have been in an intoxicated haze of concert-going mania for the last couple of days.

I will post about the Margot & the Nuclear So & So's, Ben Folds and Manchester Orchestra shows soon.

here is something you might find interesting. It's The Strokes performing at a venue called Brownies, three "unknown" songs, and the more familiar "Elephant Song" (also unreleased)

enjoy!

The Strokes - Unknown #1 [mp3]

The Strokes - Unknown #2 [mp3]

The Strokes - Unknown #3 [mp3]

The Strokes - Elephant Song [mp3]

Friday, May 15, 2009

The Strokes Post #86

this is the most hilariously random 6 minutes on youtube:

Thursday, May 14, 2009

Dark Night of the Soul to be released this summer


Danger Mouse's newest musical project, including a song called "Little Girl" with Julian Casablancas on lead vox, will have a limited physical release (5000 copies)in June

the tracklisting is as follows:

Revenge' (featuring The Flaming Lips)
'Just War' (featuring Gruff Rhys)
'Jaykub' (featuring Jason Lytle)
'Little Girl (featuring Julian Casablancas)
'Angel's Harp' (featuring Frank Black)
'Pain' (featuring Iggy Pop)
'Star Eyes (I Can't Catch It)' (featuring David Lynch)
'Everytime I'm With You' (featuring Jason Lytle)
'Insane Lullaby' (featuring James Mercer of The Shins)
'Daddy's Gone' (featuring Nina Persson)
'The Man Who Played God' (featuring Suzanne Vega)
'Grim Augury' (featuring Vic Chestnutt)
'Dark Night Of The Soul' (featuring David Lynch)

the price is a bit hefty, at £38.99

here are a couple of songs for you guys to sample before you shell out that type of cash.

Iggy Pop - Pain [mp3]

David Lynch - Dark Night of the Soul [mp3]

The Strokes Post #85

The Strokes - The Modern Age (John Peel Session 2001)[mp3]




such good guitar parts. this makes me depressed to be almost 20, as that's how old Nick was when Is This It came out.

Audrye Sessions to play BOTH next Tuesday

I was browsing BOTH's website and they just announced the final band playing Tuesday night, our very own Audrye Sessions. Joining them will be Winston Audio (!), Fun and Manchester Orchestra. should be an epic fucking night.

I am so stoked.

Wednesday, May 13, 2009

The Strokes Post #84



I was listening to Little Joy this morning and I got a fantastic bit of news

they have recruited another guitarist for their summer tour. I was super worried Fab was playing all those shows, but no, he's hard at work with the rest of my boys in their NY studio

just a bit of reassurance for all of us people obsessed with a new Strokes release

Tuesday, May 12, 2009

must watch video: The Virgins - Rich Girls

I don't think I've ever posted this:



eight days!!

The Strokes Post #83

"I like the idea of my shit collapsing. I feel like that when I'm playing! In the middle of a lead part I often have the urge to take my hands off the fretboard, or just grab all the strings at the same time for no reason, just 'cos I think it sounds cool."
-Nick Valensi

observe:

Monday, May 11, 2009

The Dead Weather album release + tour dates


Horehound will be released in Europe on July 13th and in North America on July 14th

tour dates can be found HERE

The Strokes Post #82

whoa. this is fucking rad.

Sunday, May 10, 2009

concert review: Cold War Kids @ Fillmore 07 May 2009

Cold War Kids played the Fillmore on Thursday night, and oh did they play their hearts out. While their set list centered on their sophomore LP Loyalty to Loyalty, which is almost unanimously deemed inferior to their stellar debut Robbers and Cowards, the performance didn’t suffer in the least.

Their fervent deliveries of the songs actually resonated with the rhythmic quality which defines their debut album, making the experience well worth while. The live set sounded far removed from anything they’ve ever recorded, most notably because everything was delivered in a slower, less urgent manner, allowing the audience to truly savour each note and lyric. Cold War Kids’ set almost sounded like a jam band, but the guys’ high energy on stage more than compensated for Nathan’s mellow vocal delivery. Their bass player Matt was the wildest one that night, as his sound nearly overpowered the vox.

The highlight of the night was when they played “Against Privacy”, as the guitars blared and sent shivers through my spine. To my delight, the boys ended the night with my two favourite songs of theirs, “We Used to Vacation” and “Saint John”, one of the greatest encores I’ve ever witnessed. The concert was not what I was expecting in the least; I didn’t realize that it would be so different than the experience of listening to their records. Nevertheless, both their studio and live sounds are stellar, and I highly recommend that you check CWK out the next time that they’re in town, which might not be for a while, as the Fillmore show was the last of their Spring tour. Matt said that they’ve been writing songs on the road (they played a new one called "Coffee Spoon" during the set) and hope to get back to the recording studio as soon as possible. I’ll keep you all posted with updates as soon as I get ‘em.
3.5/5

set list:




Opening band We Barbarians were quite impressive as well. Think Bends-era Radiohead with the occasional inclusion of an acoustic guitar. The Long Beach based band is currently finalizing their first full length album, enjoy one off of their EP In The Doldrums below:

We Barbarians – Black and Crooked [mp3]

photos:










We Barbarians:



Sunday Morning Covers


ZIP FILE

Franz Ferdinand - Call Me (Blondie Cover) [mp3, HIGHLY RECOMMENDED!]
am I incredibly biased or does Franz Ferdinand manage to make everything they touch a billion times better? this band can do no wrong.

Patti Smith - Smells Like Teen Spirit (Nirvana cover) [mp3]

the end of this scares me.

Smashing Pumpkins - Isolation (Joy Division cover) [mp3]
I never thought Smashing Pumpkins listened to Joy Division, but it makes absolute perfect sense now that I think about it.

The Morning Benders - I Won't Share You (Smiths cover) [mp3]
this band makes me so happy. I find myself singing "Patient Patient" all of the time.

Elliott Smith - Ballad of a Thin Man (Dylan cover) [mp3]
Elliott on more aggressive guitars. perfect.

Queens Of The Stone Age - Everybody's Gonna Be Happy (The Kinks cover) [mp3]
I love The Kinks. In my opinion, they're just as good as (early) Beatles, only wayy more underrated.

Graham Coxon - Eliminator Junior (Sonic Youth Cover) [mp3]

Sonic Youth, FUCK YEAH! Thurston Moore is one of the greats.

Yeah Yeah Yeahs - Sheena Is A Punk Rocker (Ramones Cover)
oh shit. this is what the new YYYs record should have sounded like. I really hate It's Blitz.

BONUS (x2)
Jimi Hendrix - Like a Rolling Stone (Dylan cover) [mp3]

a lot of people think this one surpasses the original. that's a tough call. Highway 61 is such a tightly constructed album.

Neil Young - Just Like Tom Thumb's Blues (Dylan cover) [mp3]

I like Neil Young's original compositions better than this, but this is still pretty sweet

The Strokes Post #81

"que legal!" hahahah