
Jimi Hendrix - Castles Made of Sand [mp3]
The lead single from the first new Strokes record in five years barrels into the bar with "Return to Form" written on its forehead. "Under Cover of Darkness" (set to be released February 9th on the band's website) takes the basic elements of their sound, breaks it down, builds it back up and expands it: the skinny-tie boogie bounce of "Last Nite," wave after wave of cute and sharp interlocking guitar, and a grand, gaping chorus where Julian Casablancas torments his vowels like he's got them trapped in his secret basement laboratory. The band members even throw in tricky tempo changes and a weird, slow breakdown just to show us they've been woodshedding. "I've been all around this town/Everybody's been singing the same song for 10 years," Casablancas observes. So the Strokes give us that same old song one more time, primed and polished for a new age.

Grand Lake - "In The Mouth Of A Desert" (Pavement cover) from Echolocale on Vimeo.


“taste of blood/broken dreams/lonely times indeed/eyes cast down”
Thank You Happy Birthday is Cage the Elephant’s second album, and it heralds two things above all else: unironic, Cobain-esque self-loathing and PixiesPixiesPixies basslines/anger. “Indy Kidz” is menacing and self critical, spinning a fuzzy, surfer tornado prelude to “Shake Me Down”, a hesitantly hopeful (and ever so endearing) song lost among explosive songs predicting the apocalypse and lamenting the inevitable stings of mainstream success. The 90’s alt-rock influences are abundant, most strongly manifested in the merciless self-disparagement which Matt Shultz uses to reflect his band’s artistic cred (or what’s left of it). Like Nirvana’s tortured frontman before him, Shultz contemplates how fame, radio play and commercial endorsements have blighted his band’s vision. No longer is there a distinct “us vs them”, and that is scary as hell to the Kentucky band that started out with such an undeniably fearless stance. The songs ricochet back and forth from seizure-inducing to Jimmy Eat World tender, but Cage the Elephant resonate best as they rock the living daylights out of your ears and any amps. Nothing’s sacred, and nothing is spared.


