Wednesday, June 2, 2010

interview: International Waters (+ photos from Voxtrot's final SF show)

International Waters opened up for Voxtrot last Saturday night on their Goodbye World Tour. photos from the concert can be found below, but first, some insight into the band

Great American Music Hall
29 May 2010

l-r: Marcus (drums), Ryan (guitars), Mitch (vox, guitars), Johnathon (bass)

How did the band come about? I saw Jason from Voxtrot playing with you guys on stage.
Mitch: he doesn’t fly, so when we drove out here to do our stuff with Voxtrot, he came along. He figured he’d play with us and stuff. He actually played synthesizer on the EP.
Ryan has been Voxtrot’s tour manager since the beginning. He’s known Ramesh way longer than me, since they were 14 or 15. When Voxtrot toured, I got to know him really well. One night, I got really drunk and I had a blanket over my head and said, [in an old man sailor voice] “you know what, one day, I’m gonna start my own band and it’s gonna be called…International Waters!”

Cause you were in a pirate mood?
Mitch: I was in a pirate mood! As Voxtrot did so so or whatever, I told Ryan we’ve gotta start our own band, ‘cause we have such similar taste in music. We met Marcus…

Marcus: A girl I went to school with was roommates with a girl who worked with Ryan, and I mentioned I was a fan of Voxtrot, and then I met Ryan, who said “oh we might be looking for a new drummer” and I was all “oh good, I hate the band I’m in” so yeah.

Mitch: and we met Johnathon because Johnathon asked us to play while we had a different bass player at his DJ night, Sob Scene, we were like, “if we could get a bass player that had this good taste in music, that’d be amazing”

So what kind of music are we talking about that you all love?
Mitch: [Sob Scene] is a Brit Pop night, so we’re digging, like, Orange Juice…ask him!

What do you listen to all the time, Johnathon?
Johnathon: Pulp, Jarvis Cocker, Blur. I saw Blur play at Hyde Park last summer. I think Damon Albarn is a genius, he might be the best genius in the world. Jarvis is close to my heart but Damon Albarn is just a jack of all trades musician.

What did you guys learn from Voxtrot or other previous bands?
Mitch: learning how to tour, and it’s really not as complicated as people want it to be. Also, there’s always more to do and there’s always bigger things to do and more ambition to have

Ryan: There’s a level of tenacity…nobody’s gonna sign your band, no one’s gonna come and do it for you, you have to just got out and do it. Like, from the moment we played our first show, we said ok, we’ll put out our first 7”, we’ll play some shows. We had our first show last year but we’ve already had two records [EPs] out and two tours so far, which is pretty good. With Voxtrot, it went like this [motions upward skyrocketing motion], so we learned that that was possible.

You guys didn’t produce your own stuff, did you?
Mitch: right, so on the tour only cd, I just did in the bedroom, and these guys mixed them too, but the full length we’re gonna produce ourselves, and we’d like it to be more lo-fi. The stuff that’s on this EP that we’re about to release was done by Jason and Matt of Voxtrot, and they did a really good job on it, but it is a little clean.

How far along are you in making the full length record?
Mitch: We’ve got like 20 songs that could be recorded, we’re probably gonna cut some things, but we’ve got a lot of material. We’ll probably do it on a four-track tape recorder, and that will give it a little bit more of an edge than the EP was, and then this 7”, the two songs on that was recorded by this guy Frenchie Smith in Austin, he records, like Jet and stuff, that’s why it sounds big and clean and stuff

Ryan: Which we like, he did a great job.

Do you wish you could be a part of a different musical movement?
Johnathon: Well my [other] band [The Villas]is like a power pop band and power pop is obviously dead…Bowling for Soup killed it. [they all laugh]. I try to bring it back a little bit—early Weezer, that sort of thing. I sing and play guitar. So I kind of wish I was in a different era. I was around in the 90s, but you know, it would have been cool to be a part of it, making music then. At least now, I have less competition.

Marcus: I don't wish I were in any other era than right now

Ryan: if I could speak for Mitch, Mitch would love the 60s. I, being a massive history buff, would probably freak out over anything and really enjoy it. If I really had to, I would say 60s. I’m a nostalgic kind of person. I like old cars, old houses, old clothes, old looking people.

The musty smell.
Ryan: it smells good to me, it smells like my grandma’s house

Marcus: I wish I was in the future.

Ryan:
my grandma used to smoke weed. I have an aunt out here tonight, who caught her smoking weed, in like, 1985. Seriously, though, from 1960 to 1970, what decade has been more diverse, yet more influential in every single part of its design, be it, fashion, the clothing involved, visual design, advertising, music, drugs. Drugs, they never went away. I mean, people have loved being fucked up forever, but they really loved the 60s

Johnathon: We had the space program too.

Ryan: We had the best elements of psychedelia that people loved and still try to emulate now, but you also had these amazing pop songs. Early Beatles, The Zombies and a million other bands.

Any band, past or present, that you could tour with?

Ryan: Mitch would go for something like The Zombies, The Smiths, Aztec Camera, maybe something like Orange Juice, which we covered earlier tonight.

Johnathon: I’ve got mine. Weezer, 1996, on the Pinkerton tour. With Ash—a great Irish powerpop band. If I could tour with them for those first two albums, man. At that point they were the best band in the world. Since then, they’ve slowly been on the decline. I mean, there’s a couple of good pop songs on the new album, but there’s also, like, Lil Wayne. There’s some pretty bad shit. Rivers is having a midlife crisis.

Marcus: I do love Spoon. Spoon would be cool. I’ve never really thought about it before.

Ryan: I’m gonna name the big one. I’m going with The Beatles

I’ve never gotten that answer before.

Ryan: It’s so obvious. Everyone wants to be a little obscure. I mean, seriously, who would fucking hate touring with the Beatles. Look at what they’ve done.

And all of the leftover crazy fan girls, they’d be yours!

Ryan: yes.

Marcus: There are a lot of leftovers. So many leftovers.

Ryan: yeah, The Beatles, The Smiths. I really like pop music. If I could do a tour with Elliott Smith. I love that guy. I never view it as depressed. I see it as joyful. He has songs about, like, coming down, but they sound like cherubs, and you can’t argue with that.

the chorus lyric "heaven's on fire" comes from the Radio Dept song of the same name.

more photos:

Ryan Hall

Mitch Calvert







Voxtrot:








it would be too painful to attempt to do a write up of this concert. needless to say it was more bittersweet than my favourite bar of Scharffen Berger.

set list:


new song: The Morning Benders - Go Grab a Stranger


The Morning Benders - Go Grab a Stranger [mp3]

kind of spooky, but in a good, crashing cymbals kind of way.

Henry Clay People's record release party is on 8 June in LA

via AD

The Strokes Post #458

Tuesday, June 1, 2010

record review: Sleigh Bells - Treats


Being a fan of (good) music, I am always flabbergasted when there is buzz about unsophisticated albums. Needless to say, Treats by Sleigh Bells pushes all of the wrong buttons, bringing us one step closer to the big red nuclear annihilation one. If I wanted to hear an amateur rendition of what some hipsters think noise rock means, I’d rather listen to an electric drill remix some gun shots. At least then, I’d get some nice visuals while beating my eardrums senseless. Tracks like “Riot Rhythm” and “Infinity Guitars” have horribly misleading titles, because their names are too cool for what they stand for—terrible mashups of overstimulated beats desperately struggling to be crunk. Treats is doused in muddled production and could only be rivaled by an aneurism induced by scratching your fingernails against a chalkboard for 32 minutes. The Brooklyn duo clumsily mixes fuzzy with clean and then cranks up the volume to an unforgivably deafening madness. Guitarist Derek Miller and singer Alexis Krauss have managed to out-shit M.I.A, and that’s saying something. There is no rhyme or reason to listen to this album, except if you’re some sort of crazed musical masochist.
1/5

new Grand Lake video, album stream, dates



6/2 - Bottom Of The Hill w/ First Aid Kit - San Francisco
6/4 - Crepe Place w/ Citay - Santa Cruz
6/5 - Sophia's Thai Kitchen w/ Man/Miracle - Davis
6/11 - Pehrspace w/ Ghost Porn - Los Angeles
6/13 - Steynberg Gallery w/ Sparrow's Gate - San Luis Obispo

stream Blood Sea Dream in its entirety HERE

The Strokes Post #457



I had a conversation a couple of weeks ago that went a little something like this:

person 1: hey Hanan are you going to Outside Lands this year?
me: who's headlining?
person 1: kings of leon...
me: ehhh

tell me what is wrong with the world when KoL are so prominently displayed on the flyer above my beloved Strokes? regardless, THE STROKES ARE PLAYING OUTSIDE LANDS ON AUGUST 14TH, SAVING ME SHIT TONS OF MONEY AND TROUBLE OF GOING TO SEE THEM IN CHICAGO! Saturday is the better lineup for sure, MMJ, Langhorne Slim, Tokyo Police Club, Gogol Bordello, The Soft Pack!

The Strokes Post #456

Saturday, May 29, 2010

song of the day: Ezra Furman & The Harpoons - Take Off Your Sunglasses


early Dylan + California sunshine + uptempo = this song

delicious.

the band is currently on tour with Delta Spirit.

band of the week + record review: Against Me!


I’ve always had a soft spot for Against Me!-a punk rock outfit from Florida that has the blazing fury of seven bands. While their previous releases have always managed to slip from my attention, their fifth album, White Crosses, has really done me in. Staying true to the we-wanna-move-past-our-past strategy outlined in “I Was a Teenage Anarchist”, Against Me! embrace melodic hooks and finally break free from their earlier, anger-for-anger’s-sake sound. The music is still as powerful as ever; White Crosses’ title track kicks off the album with Dropkick Murphian vigour, and “Spanish Moss” proves that they haven’t lost their incendiary punk roots. But the songs are more purposeful, and Against Me! manage to draw inspiration from Springsteen (“Because of the Shame”) and Dylan (“Ache With Me”) without coming off as insincere. The short (10 song) album stands as the long delayed musical evolution of a band overflowing with creative potential. Thank goodness for small favours, it’d be a damn shame to see them stuck in a rut.
4/5



White Crosses drops on 7 June

Against Me! on MYSPACE

Saturday Music Definitions: Monster


Andrew Bird - Spanish for Monsters [mp3]









Villagers to play Rickshaw Stop


the Irish band will bring their vivid, whispery sound to San Francisco on Thursday, July 29.

you can get tickets for 10 bucks a pop HERE

Villagers on MYSPACE

The Strokes Post #454

Friday, May 28, 2010

concert review: Minus the Bear

The Regency Ballroom
26 May 2010




Minus the Bear have such a varied discography, blending genres in their signature progressive form, but their live shows blur all of these distinctions into one retro sound. Wednesday night, the Seattle band delivered an impassioned set like they were straight out of the 60s, and the sheen and polish of their latest sensual record, Omni, all but disappeared, replaced by rawness fitting to be a band opening for Led Zeppelin. Flashy, no. Intense, yes. As per usual, guitarist Dave Knudson was accompanied by his fan, ensuring that his hair was as wild as his chops. Jake Snider’s edgy vocals were supplemented by keyboardist Alex Rose’s echos. The most impressive thing of the night was the fact that none of the band members overshadowed the others; as they shifted on stage, so did the amplified musical spotlight. When compared to their concerts, there is something somewhat lacking in their recorded sound, and if I had to narrow it down to a single element, it has to be the band’s impeccable chemistry with each other and, perhaps more importantly, with the audience. Jake mused that Seattle and San Francisco were sister cities, attributing the hill-filled topography and difficult parking as the unifying elements. Alex hit the target much better: “we like to smoke weed and we’re okay with gays.” Aaaaaaamen.
4.3/5

set list:
Drilling
Throwin’ Shapes
Knights
My Time
Summer Angel
When We Escape [mp3]
Secret Country
T2
Excuses
Double Vision Quest
Fine + 2 Pts
Hold Me Down
Women We Haven’t Met Yet [mp3] [vid]
Pachuca Sunrise
Dayglow Vista Road [vid]

The Fix [vid]
Into The Mirror [vid, recommended!]
Absinthe Party [vid]

more photos:









I only caught a couple of seconds of Everest’s opening set, but it sounded superb. Very fitting to be an opener to Minus the Bear.
photos:



Everest on MYSPACE

The Strokes Post #453


Julian discusses his unparalleled style and fashion sense over at ASOS

Classic Track Thursday


there are a hundred million imitators, but nobody comes anywhere near Daft Punk. they will forever be the OGs of electronic music.

from Homework (1997)

this track always reminds me of driving through tunnels with my older brother as a young sapling of a child. I think, even then, music gave me solace like no other. it's amazing how our true passions lay deep in our subconscious until they are later manifest in adulthood.

Thursday, May 27, 2010

concert review: Grand Lake

The Fillmore
26 May 2010

Slow and steady wins the race. Grand Lake have, against all odds, honed their stage sound nearly to perfection. Despite their noise rock base and their drummer’s Pavement shirt, achieving a clean, structured sound in concert is obviously their objective. Regardless of where you looked on stage, you could see hours of draining rehearsal emanate from the band. And it paid off, monumentally.

Grand Lake have taken their older songs (dispersed through the band’s various lineups) and reinvented them as the newly solidified foursome—guitar, bass, drums, keys. This may be how the band started out, but Grand Lake’s current dynamic with newcomers Danae Swanagon (keys) and John Pomeroy (drums) is much different than it was before. The Oakland outfit, which is fronted by Caleb Nichols (and maintaining its original guitarist, Jameson Swanagon), has evolved, or rather, devolved into a group that has little time or patience for aesthetic. It’s all about the music, and the members of Grand Lake could not be more intently focused if they tried. Nichols may be the forerunner of a revival of 90’s underground in the Bay Area but he retains a lighthearted disposition. “I love you mom,” he said sheepishly before concluding the set with “Louise” as a friend danced with him on stage.






their debut LP, Blood Sea Dream, is now available


Grand Lake on MYSPACE

Beck moves his cover project to INXS

wow.

Record Club: INXS "Never Tear Us Apart" from Beck Hansen on Vimeo.

must watch video: The Black Keys perform "Tighten Up" on Letterman



I love that they rendered a song called "tighten up" so loosely. Dan's guitar playing is slower and more deliberate and it makes for such a trippy experience. love it.

The Strokes Post #452


this is my new desktop background. it has replaced THIS, which is my background 97% of the time.

all of these amazing pictures are coming via The Strokes' Twitter page. bookmark it if you haven't already.

Wednesday, May 26, 2010

concert review: Kaki King

The Fillmore
21 May 2010

Australian openers An Horse started off the night with your typical boy-girl duo bullshit. You know: "maybe if we play really loudly, nobody will notice our total lack of creative talent". Regardless, the mostly female crowd ate it up, thriving off the false sense of empowerment bestowed upon them, seeing a girl front a band.


Kaki King redeemed all. Guitar g-d(ess), weaver of tales, spinner of alternate realities. She initiated her set with some newer material, leaning heavily toward the standard indie singer/songwriter style. By "The Betrayer", however, she could not conceal her emotion whilst playing. Her set was absolutely relentless and gripping on so many levels. As the night progressed, her older material surfaced, and climaxed when she ingeniously combined "Doing The Wrong Thing" and "My Nerves That Committed Suicide". What a wonderful way to pay homage to her past whilst looking ever so brightly to the future.

Kaki's captivating shredding was incredibly satisfying and spread throughout various beautiful guitars. As per usual, she played without a pick (she used her fingernails) but the absolute gems of the night lay in her tribal percussion on the guitars themselves. Never mind her bandmates Dan and Jordan, the spotlight lay on King throughout the night, especially when she stared contentedly at the lights glittering on the curtains behind her. Concluding the night with a burst of energy, the petite guitarist jumped into the crowd and was the catalyst for a wave of dancing that truly allowed the crowd to physically express their gratitude and happiness.

Exchanging positive vibes and (often explicit) jokes with her fans all night, Kaki was just as enthralled to be performing as the audience was watching her. The Atlanta native was dumbfounded by the fact that she was playing the Fillmore, a venue well known for hosting some of history's best guitarists. It doesn't make any sense that someone so distinctive and gushing with talent could be as humble as Kaki King. Maybe one day she'll look back and realize that she didn't infiltrate the Fillmore's ranks, but rather added to its glory.

The Strokes Post #451


I always secretly wished that Julian would go back to his raucous ways of drinking and partying and being a rock star but when I saw this photo, it really struck me how much he has changed, and I wouldn't want it any other way. hey, Jeff Tweedy's kid is pretty cool, so we can only expect the best from Cal.

Tuesday, May 25, 2010

Delta Spirit to play Amoeba Hollywood + EPK

catch the band's free in store in sunny Hollywood on June 7th.

here's the electronic press kit about the making of History from Below:


Matt chases some chickens at the end =)

The Strokes Post #450

here come the tears...